Forget Never

Forget Never
Showing posts with label Basildon. Show all posts
Showing posts with label Basildon. Show all posts

Thursday, 26 March 2015

Tri-Lingual Mobile Exhibition

The Forget Never commemorative exhibition started its journey at The Green Centre in Basildon, September 2014. The exhibition was opened by MP Stephen Metcalfe and Sandra Hirons from The Heritage Lottery Fund.
MP Stephen Metcalfe and Sandra Hiron from The Heritage Lottery Fund open the WW1 exhibition in Basildon


The unique nature of this project, as recognised by the Lottery Heritage Fund (who awarded the project over £50,000), is that it also brings together Basildon with it's two Twin Towns of Meaux in France and Heiligenhaus in Germany to create a mobile, tri-lingual exhibition. Over the next four years the exhibition will grow as it travels to France and Germany as well as all corners of the Borough.

The exhibition explores life in the three townships; attitudes from three points of view and, most importantly, allows us to remember the people – those who died, those who suffered incredible injuries and of course those who survived and kept the communities running during this important period in our history.

Prominent displays in the exhibitions feature:
  • Images of what Basildon was like during the First World War
  • A display that discusses the Heiligenhaus Youth Visit held in August 2014, where youths from Basildon, Heiligenhaus and Meaux met to plan a youth conference for 2015 based on the themes of conflict resolution and reconciliation.
  • Research into 3 soldiers, George Burnett from Basildon, Louis Vallin from Meaux and Albert Kiekert from Heiligenhaus
  • Research, images and information on Basildon's MP during WW1, The Right Honourable Rupert Edward Cecil Lee Guinness, 2nd Earl of Iveagh 
  • Images and information on a commemorative cricket match held at Wickford Cricket Club to raise funds for a commemorative plaque for the club
  • Images of the 9 War Memorials across the Basildon Borough
  • A selection of properganda postcards from across Europe
  • A selection of artworks created by School pupils and local artists
The Art exhibition displayed in the centre, showcased local talent from all ages and how they had chosen to respond to the centenary of The Great War. Art works featured pencil sketches of the Lusitania, a model of a Zeppelin, a wreath made out of loom band poppies, a large canvas representing trench life, painting of poppies, paintings and drawings of soldiers from World War 1 (including relatives of some local artists) and a glass work that represented the 3 soldiers to feature in the projects Christmas Concert – George Burnett from Basildon, Louis Vallin from Meaux and Albert Kiekert from Heiligenhaus.
A local youth Matthew Edson read out a speech he had prepared on his thoughts and reaction after visiting Basildon’s twinning town Heiligenhaus in Germany in August. One of the stand out comments from his speech was how the group had been moved by the number of injuries caused to soldiers and how this is not taught in schools. As a result of the group’s findings, 3 secondary school within the area have now included this into their curriculum when covering WW1.
A variety of local archive and historical groups attended the opening to showcase research and findings relating to their parishes history during World War 1.

Local MP Stephen Metcalfe and Chair of Basildon Twinning Association Robert Sheridan


Staff and volunteers arrived at the exhibition in period dress.


Matthew Edson reading his speech to the audience at the exhibition in Basildon


A selection of the art works on show at the exhibition
  
The exhibition was open daily between 10am -4pm until the end of October 2014 before moving on to Meaux in France in December and then Heiligenhaus in Germany in February.


The exhibition was opened in Meaux by the town’s Mayor Jean Francois Cope in December 2014



 The exhibition all set up and ready for the opening in Meaux, France

Jan Heinisch, Mayor of Heiligenhaus opened the exhibition when it travelled there in February 2015


 We were delighted to have Fricklesome Amsel, the German folk band play a few tunes at the opening of the exhibition in Heiligenhaus


At the exhibition we met with Johnathon Horst and Jonas Lagos, two German youths who have liaised and worked with the team throughout the project

The exhibition in Heiligenhaus

Christmas Truce Re-Enactment 2014 - Meaux

The Christmas truce was a series of widespread but unofficial ceasefires along the Western Front around Christmas 1914. In the week leading up to Christmas, German and British soldiers crossed trenches to exchange seasonal greetings and talk. In areas, men from both sides ventured into no man's land on  Christmas Eve and Christmas Day to mingle and exchange food and souvenirs. There were joint burial ceremonies and prisoner swaps, while several meetings ended in carol-singing. Men played games of Football with one another, giving one of the most enduring images of the truce.
As part of the Forget Never project we wanted to remember these brave men, who took the stand over Christmas 1914 and put down their weapons for a few hours. Linking with Basildon’s twinning towns Meaux in France and Heiligenhaus in Germany, it was agreed that a football match between the allies and our German colleagues would take place. We were overwhelmed with the interest and support this project received from the three towns.
The match was too played as close to the history of the original matches as possible. An old leather football was purchased, a muddy field found, uniforms consisting of plan white or grey shirts and braces were supplied – and most importantly no referee!
The ladies that attended the event were provided with period nurses aprons and head scarf’s and enjoyed watching the match and singing on the sidelines – some even ended up in goal
The match played out between the two teams, with reinforcements arriving on the British side from the French. The official score 4-2 to the Germans. But this match was not about who won or who lost. It was to show how far our three towns have come since 1914, to emphasise the reconciliation, friendship and partnership between the three towns. How the towns have worked together through tough times. How the towns support each other in the present day. The match was about the little stories the players told each other after the match. Swapping mementos. Showing of pictures of their families. Exchanging email address. Building bridges and creating long lasting friendships.
We were delighted to have donated to the project several bars of chocolate from Sainsbury’s who had recreated the Cadbury bar from 1914. These were exchanged and in return our GERMAN colleagues provided a treat and a poem written in all three languages which simply said:
Friendship means peace
Create as many friendships as you can
Give the wars in the world no chance
Merry Christmas and a peaceful New Year 2014
SV Hoesel – A Juniors – Ratingen – Germany

Preparing at the start of the match – each team proudly holds their flag


The match is played on a muddy pitch in the rain – just like 1914




The nurses rush on to help an injured player   
                    

Four German nurse take to the goal – well  we did say no rules!!!


The nurses, Laurent Guillame and Mayor of Meaux sing Silent Night whilst the football match is in play



The end of the match and the players no longer fly their countries flag but unite behind the European flag.

Tuesday, 9 December 2014

The Son's of Three Countries Remebered

The Son’s of Three Countries Remembered.

Stephen Metcalfe MP’s local project to commemorate the centenary of the First World War brought to life a unique tri-lingual Christmas Concert. The concert, funded by an Our Heritage Grant from HLF East of England, provided the opportunity for invited guests from all areas of the community as well as dignitaries from both of Basildon’s Twin Towns - Heiligenhaus in Germany and Meaux in France. Fricklesome Amsel, a renowned folk group from Heiligenhaus provided the musical direction for the concert leading performances by Basildon Choral Society and Pitsea Junior School Choir.
Christopher Walthorne playing Louis Vallin, Writing his letter home

James Le Lacheur, Playing Albert Kiekert, writing his letter home

Adam Elliott, playing George Burnett, writing his letter home
A play written by local script writer Dawn Knox entwined the musical pieces with short playlets performed by actors from DOT productions. The playlets followed the lives of three men, one from each of the Twin Towns, who served their country during the conflict.
Images from first rehearsals
MP Stephen Metcalfe commented “A hundred years ago Great Britain and France were at war with Germany. Thankfully today we are all allies and friends. It is therefore fitting that our project involves close collaboration with our Twin Towns of Heiligenhaus in Germany and Meaux in France. It has been so uplifting to be part of a tri-lingual effort to remember all those who were affected by the conflict wherever they were from.
 This concert remembers in particular three individuals who served in the First World War, one each from the three Twin Towns. Their stories would be echoed in so many communities throughout the globe.”
We asked script writer Dawn Know to tell us more about the project:
I had no idea when a friend asked me to write 'a little sketch about some World War One soldiers', that it would grow into a series of short scenes about the First World War and would specifically follow the lives of three service men from three different countries.
My knowledge of World War One was limited, to say the least, so I read as much as I could, especially first hand accounts of service men and of course, I researched George Burnett, from Great Britain, Albert Kiekert, from Germany and Louis Vallin, from France.
There are many different approaches to writing about World War One but I wanted to concentrate on the shared experience which would have been common to many service men - whatever their nationality. I wanted to show the men's desire to protect their countries and families, the atrocious conditions they endured in the trenches and to mention that initially, at least, there was optimism that the troubles would soon be over.
During my research, I encountered numerous acts of heroism and bravery and I was touched to read about men who witnessed the enemy behaving so courageously, that civility and respect pushed aside all thoughts of killing. For me, those accounts were tiny points of light in what was otherwise a depressing story of death and despair. 
At all cost, I wanted to avoid condemnation of any country. Yes, we were enemies, but we all shared the horror and pain.
I also wanted to avoid any hint of triumphalism. The loss on all sides was too great.
And finally, I wanted the script to be a tribute - not only to the three service men, George Burnett, Albert Kiekert and Louis Vallin - but to all the men and women who served their countries and shared the dark days we now call the First World War. 

May we all remember them and honour them by striving for a peaceful future.
Musical direction for the concert was arranged by Fricklesome Amsel from Heiligenhaus

Basildon Choral Society


Narrator Natalie Taylor-Scotcher speaking with Albert Kiekert


Fricklesome Amsel rehearsing with pupils from Pitsea Junior School

Pitsea Junior School Choir

Suzanne Vallin, Daughter of Louis Vallin (one of the soldiers in the concert) meets our script writer Dawn Knox for the first time

George Burnett and Albert Kiekert

The Christmas Truce

British Sargeant played by Andrew Lindfield chatting to a German Solider during the Christmas Truce

Louis Vallin reading first hand accounts of what it was like during WW1

MP Stephen Metcalfe reading a soldiers letter from WW1

George Burnett, The Narrator, Albert Kiekert, British Solider and Louis Vallin

Madame Vallin from Meaux, Thomas Rickal from Heiligenhaus and Mayor Mo Larkin from Basildon lay wreaths at the end of the productions

The three wreaths from three nations

The fabulous Plaamatising that arranged all the sound, lights and technical "stuff" for the concert

Madame Vallin and Script writer Dawn Knox chatting after the production

The cast of Dot Productions

Tony Ball, Thomas Rickal, Mayor Mo Larkin, MP Stephen Metcalfe and Head of Twinning Bob Sheridan after the concert
Photos by David Smith


Monday, 18 August 2014

Young Peoples Youth Planning Conference in Heiligenhaus

Young Peoples Youth Planning Conference  16th August 2014

This weekend we took a group of young people to the Exhibition '1914 - In the Middle of Europe' at the Ruhr museum in Essen, Germany as part of our World War 1 commemorative project sponsored by The National Lottery. Escorted by our colleagues from our twinning town, Heiligenhaus we explored the exhibition as a starting point for the planning of our Young Peoples Conference, linking youths from the 3 twinning towns - Basildon, Meaux and Heiligenhaus. The conference aims to :
  • Create sustainable cultural links and relationships between residents of Basildon and it’s twinning towns Meaux and Heiligenahaus
  • Reflect and review conflict resolution and reconciliation since The Great War
  • Provide the opportunity for young people to explore and experiment with different perceptions of what life was like at the start of The Great War.
  • Develop young people’s social and communication skills through project-collaboration with their peers in France and Germany.
  • Provide an opportunity for young people and staff to discuss and exhibit their findings and research as part of the mobile exhibition. Students attending will visit local primary schools after the visit to share their findings.

Due to the 100th anniversary of the outbreak of the First World War, the LVR-Industriemuseum and the Ruhr Museum show the exhibition “1914 – In the middle of Europe” from April 30th  to October 26th at the mixing plant of the coking plant Zollverein in Essen. The First World War shaped the history of Europe, Germany and especially the Rhine-Ruhr-area until today. The exhibition is the highlight of the unique combined project called “1914 – In the Middle of Europe. Rhineland and the First World War” of the Rhineland Regional Council (LVR). With its 2,500 square metres of exhibition area, it is the biggest exhibition of the council in the year of remembrance of the First World War in Germany.

Young people from Basildon Visit Ruhr Museum

Pivotal year 1914
The First World War was the first industrialised war in history. The exhibition “1914 – In the Middle of Europe” searches for the preconditions and consequences of this “primal catastrophe of the 20th century” in the Rhineland and Ruhr-area. To do so, it connects the time of the late 19th century up to the end of the Weimar republic. The visitors can experience an age of awakening, in which the war is the central issue. Furthermore, the exhibition shows a panorama of this time as well as the sweeping social transformations which mark the dawn of the Modern era.

Rurh Museum

Banners that reflected signs of the times and the local community
The three floors of the mixing plant of the coking plant Zollverein provide the structure of the exhibition: German Empire, war and Weimar republic. Visitors enter the exhibition from the southern weighing tower by taking a 150 meter ride with the funicular. Arriving in the mixing plant, the visitors are welcomed with visions of a better future which characterise the unbroken optimism of the people at the beginning of the 20th century. The first part of the exhibition tour starts with the economic, social and cultural accomplishments in the industrial area on the Rhine and Ruhr during the eve of the First World War. The 19th century brought unimagined progress and technology because the industrialization went on in a rapid tempo. The fast change of work and living conditions left the future even more open than ever – especially in the industrial metropolises, where the change was sensed the most. This so called “distribution level” features a turning frame of the Wuppertal suspension railway, which went into operation in 1901, an electric car called “Runabout” from 1903, as well as advertising posters and product packaging, which revealed new possibilities of consumption. In addition, typical dresses of the different classes, like the outfit of a female worker or tightly laced silk dresses, portray the class society of the German Empire.

Video footage projected showing German soldiers making their advances
The next level, which is called “the bunker level”, is dedicated to the war itself. The Rhine-Ruhr-area had an important role in the war as the “armoury of the German Empire”, which also meant enormous sacrifices and austerity. A field howitzer, the model of a warship, an enormous painting of a poison gas experiment, photographs of soldiers, field postcards and plaster- and wax-moulages from serious war injuries show the cruel side of the industrialized war. Life at the home front, where not only all men fit for military service, but also women and adolescent were mobilized for the “all-out war”, is shown, as well. The up to 3.5 meter tall nail figures are an example of the propaganda campaigns, which should justify the enormous losses, the famine and hardships.

The third floor of the exhibition so called “funnel level” focuses on the consequences of the war. Here its epochal effect is getting obvious. This refers especially to the Rhine-Ruhr-area, where the war did not end in 1918. The experience of violence, hunger and poverty left a mark on everyday’s life for a long time. With the general strike of the miners in 1919 and the “Ruhr-struggle” in 1920 the region evolved into a centre of the revolutionary movement. The “rote Ruhrarmee” was bloodily suppressed by troops of the government. Consequences of the war were the separatist efforts in the Rhineland and the Belgian-French occupation of the Ruhr-area in 1923. The emergence of technology, science, society, architecture, cinema, sports and politics is also a theme of the beginning modernity of the 1920s. But the society has changed: Charleston dresses embroidered with pearls and sequins in the Art Deco style, a car drivers coat for women, children’ s clothes as well as frock coat and “Stresemann” for the men make the visitors experience the transformed lifestyle of the Weimar republic.
The end of the exhibition refers to the next major catastrophe of the century: the Second World War, which can be seen as an extension of the first one, making it a period of war that began in 1914 and lasted about 30 years.

After visiting the exhibition we asked our young people to note the impact that the exhibition had on them or a part of the exhibition that spoke to them.

Reece - "In the museum we visited today we experienced the horrors of World War One from the perspective of German soldiers. The part of the museum that surprised me was the prosthetic works for amputated soldiers. Learning the events of the war through statistics so experiencing the horrors experienced by individuals was a surreal moment. This also created a breakthrough in medical science which further showed to me the implications of the war. We then learnt about the experience of those with amputations and how it impacted their individual lives".

Discussing the impact of the exhibition

Nick- "While looking at the museum in Essen one thing that stood out the most for me was the propaganda which the Germans used to promote the war and get people to join up, the most noticeable point which I found was the similarity between the British and Germans as they both used similar techniques for it. These main features would be the flag to symbolise patriotism for the nations and either a unified regiment working together or a singular soldier standing out compared to the rest. With the German propaganda it could easily be changed around a small amount and could be taken as English, this shows that things are he same for the most part on either side of the fight and that there is a lot of similarities between the two."


Tom: "The museum we visited today in Essen was very mind grabbing it gave us an insight in to German side of the world wars. It wasn't much different from the English museums the things that court my attention were the cloths and the propaganda posters,the clothes aren't any different to what you would have seen before the WW1. The propaganda posters were strong and bold posters they were direct they showed us how the German army was portrayed to be brave and willing to fight for anything,the poster that caught my eye was a snake rapped around the forearm of a German soldier this showed us the braveness of the soldiers and how they wouldn't back down from anything. The whole day and experience was a great opportunity for any one."

Propaganda poster
Matthew: "Today's trip to the Essen museum changed my view of the Great War completely. While I had originally believed that the English and German reasons for going to war were completely different, the museum showed me that, in fact the reasons were exactly the same. We both believed that it was a case of fighting for survival, maybe even more so for the German people, as they had only existed as a nation for around forty years.
I also felt more strongly about seeing old German news reals from the war, while watching this I began to feel more strongly about what I was viewing, I began to see how the Germans may have been firing at one of my relatives, this made finally feel a connection to the families of the solders during the Great War."          

At the end of the project the young people of Basildon, Meaux and Heiligenhaus will put together resources that will demonstrate their findings and what life was like in the towns during the War.

To find out more about Basildon Borough Heritage Groups World War 1 Commemorative project please contact Project Manger Lisa Smith at the_laboratory@hotmail.co.uk